JAANUS / kibitsu-zukuri 吉備津造

kibitsu-zukuri　吉備津造

CATEGORY:　architecture / shrines

Also kibi-zukuri 吉備造 and *hiyoku irimoya-zukuri 比翼入母屋造. A unique style of shrine architecture limited to the main sanctunary, *honden 本殿 and workship hall, *haiden 拝殿 at Kibitsu Jinja 吉備津神社, in Okayama prefecture. The present honden is dated 1425 according to an inscription found attached to the ridge. The older honden was completely gutted in 1061, rebuilt, and destroyed again in 1351. A strong influence from the daibutsu style, *daibutsuyou 大仏様, established by the Buddhist priest, Chougen (1121-1206), is unmistakable. Chougen donated a bell to the Kibitsu Jinja around the time of one of its reconstructions. The plan, 14.64 m x 17.99 m, is extraordinarily large compared to the average sized honden. While the Kibitsu Jinja is the same width as most shrines, 5 bays in front and 7 bays in the rear, it is eight bays deep on each side. However, all bays are not of equal width but correspond to the depth of each division of the interior. See plan. This unique style is easily identified by the unusual variation the typical hip-and-gable roof, *irimoya-zukuri 入母屋造. A roof called hiyoku irimoya-zukuri covers the honden. It is characterized by additional ridges constructed at a right angle to the main ridge allowing the creation of two false dormer gables, *chidori hafu 千鳥破風, on each side of the roof. Layers of cypress bark, *hiwadabuki 檜皮葺 cover the roof. The honden sits on a very high tortoise belly foundation *kamebara 亀腹, a mound of hard packed earth and rubble covered with a thick layer of white plaster *shikkui 漆喰. Surrounding the honden is a shallow, railed veranda, marwari-en 回縁. The complex interior contains two sanctuaries. The innermost, *nainaijin 内内陣, is 3 × 2 bays and resembles a common three bay space *sangensha 三間社. This is bordered on the front by a 3 x 1 bay inner sanctuary, *naijin 内陣, which has three sets of descending steps: the first is in the front of the nainaijin and extends the width equal of the central bay; the second and third set of steps are on either end and are equal in width to the single bay depth of the naijin. The two sanctuaries together can be equated with a honden in ordinary shrines. At the bottom of the second set of steps is a 1-bay deep × 5-bays wide *kouhai 向拝 (lit. worship place). Surrounding the whole is the *chuujin 中陣. Parallel to the steps leading from the naijin to the chuujin are stairs descending to an outer aisle, *gejin 外陣. There are also stairs at the center front which lead down to the kouhai-no-ma 向拝間, also called ake-no-dan 朱壇, a 5 x 1 bay area a step above the gejin. The entire area including the floor, pillars (these do not have bracket complexes, and directly bear the weight of a huge beam), stairs, railings and doors are all covered with vermillion lacquer tanshu-urushi 丹朱漆. Even the coffered ceiling, *goutenjou 格天井, is accented with the same brilliant vermilion and a rich black lacquer. The tie beam, *nuki 貫, is also painted black. The height of all ceilings rise in relation to the height of each floor. The unusual outer sanctuary, gejin, completely surrounds the above described inner sanctuary and is similar to the plan of a *jougyoudou 常行堂, a hall for circumambulation, found in certain temples of the Tendai sect. The haiden, 1 x 3 bays, surrounded by a skirting pentroof, *mokoshi 裳階 on three sides, is attached to one end of the honden. It is about eight steps lower than the veranda surrounding the honden. The main roof is gabled, *kirizuma yane 切妻屋根, and like the honden is covered with layers of cypress bark. The pent roofs of the mokashi are tiled, *kawarabuki 瓦葺. A main roof with pent roofs below is also called koshiyane 腰屋根. The entire building, with single rafters extending to form deep eaves, is clearly a conglomerate style with characteristics traceable to the *wayou 和様, daibutsuyou and *zenshuuyou 禅宗様.. The following are the dominant characteristics of the wayou style: bracket complexes, *kumimono 組物, placed directly on top of the pillars; a circuler plate, *sarato 皿斗, between the large bearing blocks, *daito 大斗, and the top of the pillar; an uppermost bracket minus bearing blocks, *sanehijiki 実肘木, directly supporting a beam; vertically latticed windows, *renjimado 連子窓, and simple rainbow beams, *kouryou 虹梁. The Daibutsu and Zen styles have the following characteristics: a groove, *shakujoubori 錫丈彫, cut on the undersides of rainbow beams; bottle struts, *taiheizuka 大瓶束, between the rainbow beams and ridge in the haiden; extended ends or nosing, *kibana 木鼻, carved with cyma curves, *shinogi 鎬; and bracket arms inserted directly into the pillars. All these stylistic elements are combined with exceedingly tall pillars, and exposed-rafter ceilings in the haiden. These features combined with the overall enormity of the building creates the unique kibitsu style.

Kibitsu Jinja 吉備津神社 (Okayama)

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