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KEY WORD :@art history / paintings
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Paintings on a ceiling. The coffered ceilings *goutenjou Ši“Vˆδ of Japanese Buddhist temples have traditionally been decorated with floral patterns using the *ungen γ‚γƒ coloring technique. Although four coffers *gouma ŠiŠΤ functioned as a unit and were painted with lotus flower arabesques renge karakusa ˜@‰Ψ“‚‘ (see *rengemon ˜@‰Ψ•Ά) in the 7c, one floral pattern had been given to each coffer since the 8c. This general principle is preserved in temple ceiling paintings today, except for the lecture halls *hattou –@“° of Zen temples, where it has been common to paint a dragon *ryuu —΄ in ink in a circle, ensou ‰~‘Š in the center of the single-paneled ceiling *kagamitenjou ‹Ύ“Vˆδ. With the development of shoin style architecture *shoin-zukuri ‘‰@‘’ from the 16c, onward colorful paintings of various kinds of birds, flowers and plants have been depicted on the latticed ceilings of the grand halls, oohiroma ‘εLŠΤ and reception rooms, taimanjo ‘ΖʏŠ of castles and mansions.
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REFERENCES:
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NOTES
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission.
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