@
Jouchouyou@’θ’©—l
CATEGORY:@art history / sculptures
@
A style of sculpture created by the Buddhist sculptor *busshi •§Žt Jouchou ’θ’©(?-1057), and imitated by later artists. The style is typified by Jouchou's Amida Nyoraizou ˆ’–ν‘Ι”@—ˆ‘œ (1053) in Byoudouin *Hououdou •½“™‰@–P™€“° Kyoto (wood and gold-leaf). The figure is seated cross-legged with the knees wide and low. The chest is flat and broad, and the drapery folds *emon ˆί•Ά are carved in low parallel ridges. The round face has a serene expression known as enman guzoku ‰~–ž‹ο‘«, meaning 'fully-rounded and perfect, lacking in nothing' and was thought to represent a state of complete enlightenment, and to express the 'true form of Buddha' Hotoke-no-Hon'you •§‚Μ–{—l. Admired for its simplicity and gentle quality, Jouchou's work was regarded as the perfect representation of Japanese style *wayou ˜a—l Japanese style, as distinct from Chinese style images. Technically, Jouchou is also credited with having developed the joined-block method *yoseki-zukuri Šρ–Ψ‘’ to its full potential. His works set standard criteria of style and proportion which later artists used as a model, particularly for figures of seated *Amida ˆ’–ν‘Ι. Jouchouyou is best seen in the work of Kyoto sculptors * kyoto busshi ‹ž“s•§Žt, and his influence also spread to workshops *bussho •§Š throughout the country from the 11-12c onward. Good examples in Kyoto are seated Amida Nyoraizou in Houkaiji –@ŠEŽ› (late 11c), Houkongouin –@‹ΰ„‰@ (1130), and Sanzen-in ŽOη‰@ (1148), and examples outside Kyoto include the Amida Nyoraizou (1142) in Kontaiji ‹ΰη\Ž›, Shiga prefecture, and the Amida sanzonzou ˆ’–ν‘ΙŽO‘Έ‘œ (1172) in Daisenji ‘εŽRŽ›, Tottori prefecture
@
@

@
REFERENCES:
@
EXTERNAL LINKS: 
@@
NOTES
@

(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission.
ŒfΪ‚ΜƒeƒLƒXƒgEŽΚ^EƒCƒ‰ƒXƒg‚ȂǁA‘S‚Δ‚ΜƒRƒ“ƒeƒ“ƒc‚Μ–³’f•‘»E“]Ϊ‚π‹Φ‚Ά‚ά‚·B
@