|KEY WORD : art history / paintings|
okuzuke 奥付, atogaki 後書, batsu 跋 (Ch: ba), or
batsubun 跋文 (Ch: bawen ; see *daibatsu
題跋). A general term for the colophon or postscript added at the end of books
*sasshibon 冊子本 or
巻子本 of painting or calligraphy, which provides information regarding the
creation of the work. Okugaki are written by the artist or calligrapher,
or by the patron or in many cases by a later person who viewed the work
sometimes many generations after its production. Okugaki often mention
the name of the artist or calligrapher, date, origin or derivation of the
work, and sometimes include an evaluation, an authentication, or the name
of the owner (identification of collection). Connoisseurship developed vigorously
in the Edo period and particularly under the impetus of hereditary schools
of tea sadou 茶道, taste and styles of art and decoration were codified
and ranked in approval. Artists, particularly in the Kanou school *Kanouha
狩野派 ( see *goyou-eshi
御用絵師), were widely engaged in the authentication of art works through the
writing of okugaki or *kiwamegaki
極書, both as a service to their warrior patrons and as a way of preserving
and transmitting the "authentic" styles of their teachers. Information
provided by okugaki, while sometimes not factually correct in the
light of modern scholarship, remains indispensable to art historical research.
In printed books, the postscript, usually identifying the date, author or calligrapher, and publisher, is called kanki 刊記. In the performing arts, such as *nou 能, okugaki refer to writing which verifies the transmission of secret knowledge and techniques from master to student.
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