Tezuka Osamu, famous cartoonist every Japanese knows, said “Novel is made by letters from pictures. Illustration is made by pictures. Manga is made by pictures from letters. Comment is made by letters.”  It is said that he regarded “Manga” as “the third culture” which exists just between pictorial culture and literal culture. In France, on the other hand, where they have peculiar aesthetic sense and sharp discerning sense for originality of artworks, Manga is regarded as “The 9th Art”.And, Manga became the subject of criticism or research recently.  It is also brought to public attention that the Louvre Museum, the world greatest sanctuary of the art, has opened its door at last in the 21st century to Manga which has both pictorial beauty of visual arts and stylish beauty of linguistic expressions. In the past, Manga has been denigrated as vulgar reading, uncultivated amusement or just sub-culture in“business-first culture”.  However, by the effort of creative Manga writers who pursued originalities and innovativeness, Manga is now owned commonly by the people all over the world as a treasure house of art which represents deep culture or cultural products which depict world view or philosophical principles.Due to this, a boom wherein Manga collections should be enhanced in libraries or museums has broken out in the world, especially in Japan and France. Animation or cinematization of Manga has progressed dramatically by the remarkable evolution of digital image technology.  And it became the latest culture which dominated the world immediately. Globalized Manga and animation culture have built a wonderland like fascinating cosmos which seems to have reached the summit of visual art. It captivated the young in the world.  Readers or viewers of Manga are invited to the unusual daily-life and are enchanted.  Manga and animation are now media to understand themselves or understand others and the world. The Manga-animation culture, which has become a sub-culture of comic magazines or books through paper medium, or animations, goods relating to popular characters and cosplay (dressing up the costume of a character), has now made birth “content industries” of global scale. It caused changes to the main culture of a country, affecting their economic development. We can say that it is the source of our soft-power which changed our life-style dynamically affecting the behavior of people today.  In 2001, the “Japan Society for Studies in Cartoons and Comics” was established and it became possible to academically and internationally approach the profound world of Manga from an academic viewpoint.  In 2006, a faculty of Manga was established for the first time in a university where they educate and study Manga there In the same year 2006, the Kyoto International Manga Museum was also established as the world-first “new style institution which has both the functions of a museum and a library.　It attracts attention of the world as a sacred place of contents-tourism for enthusiastic Manga-fans who shall visit there once in their life time. In Taiwan also, a lot of cultural courses in universities which are being opened one after another so that they can deepen their understanding of culture and society of foreign countries through Manga.  Soochow University enhanced their collection of books on comics and set up the “Area for Reading Manga” in their library in 2014. They conducted academic symposia, also searching for possibilities of Manga-Animation culture; and cooperated with a faculty of Japanese language. Ahead of other universities, Soochow University is at the front of Manga-Animation culture which has already spread and has become established globally, and is trying to create its new possibilities looking steadily at the future of their academic researches. In May, 2018, we will have “The 8th Japan-Taiwan Asia Future Forum” in Taipei to be co-sponsored by Atsumi International Foundation and Soochow University.  We will discuss there about the “New Possibility of Global Dynamism of Manga-Animation Research” aiming at promoting academic “Media-Contents Studies”.  We paid attention to an appeal of “Manga-Animation Culture” which has spread on a world-wide level, based on an essay on “screen image culture” which can be owned jointly or felt sympathy as communication tools.In other words, we would like to set up a creative stage for considering processes of progress of “Contents Industry” which can be created together by global citizens of the next generation, as well as a stage for considering so-called “theory of emergence” of  Manga-animation, which we can emotionally support and own jointly as our communication tool for disseminating our culture. In our sessions, we would like to discuss on following themes: collection, preservation and utilization of Manga; translation of Manga-Animation and its communication among different cultures; theory and practice of formation of Manga literacy; Manga-animation and a theory of tales; visual arts theory; theory of pictures; mixing of Manga-animation and media and their multi-use; cultural economy of Manga-animation, Manga-animation culture and sociology etc. In this forum, we aim at finding new possibilities by researchers and participants who decipher “Dynamism of Manga-Animation Research”, which has become global now, from their own standpoints and academic approach.  We hope we can contribute to promoting our mutual understanding and exchange of ideas between Japan-Taiwan and among the East Asian countries.  ＊”Japan-Taiwan Asia Future Forum” is an international conference sponsored by Atsumi International Foundation Sekiguchi Global Research Association (SGRA), Japanese Interest Incorporated Foundation, and operated by an executive committee run by ex-scholarship students, living in Taiwan (members of Taiwan Raccoon-kai).This Forum is in line with the objective of SGRA of promoting academic exchange between Japan and Taiwan, deepening of Japan study and studying a future of Asia. At the Forum, we take up many subjects like language, culture, literature, education, law, history, society and regional exchange, etc. as Taiwan is very liberal and respects freedom of speech, thought and creed.  At the 8th Forum in 2018, we will have an international symposium on Manga-Animation culture co-sponsored by Japanese language faculty and Library of Soochow University. SGRA Kawaraban 544 in Japanese (Original) (Associate Professor, Soochow University)  Translated by Kazuo KawamuraEnglish checked by MacMaquito

Mr. Moon Jae-in was elected the 19thKorean president on May 9, 2017. The election, this time, was held for the presidency, which has been vacant after the impeachment of his predecessor, Park Geun-hye. The former president Park should have been the “symbol of obedience to the constitution and laws” to the Korean people. But, she was impeached at the Constitutional Court because she violated seriously the constitution and the law. She is imprisoned now in the detention house. As everybody knows, she is a daughter of ex-President Park Chung-hee, who   was president from 1963 to 1979. He seized power by a military coup and adopted a strong policy toward the economic development of Korea. The evaluation on his presidency, however, is divided into two.  One is that he was “a great leader” who built the foundation of the present Korean economy having guided Korea to economic miracle from the poor Korea, which had been suffering from the Korean War following after the colonial rule.  It may be an extreme example that there are people who deify and worship him celebrating his birthday as a festival.  On the other hand, he is considered a dictator who kept his post for a long time and having removed his opponents cruelly.  People should review that era and move on, because the present issues in Korean politics, economy and society, to a certain degree, come from the faults of the dictatorship of Park Chung-hee. It is said that a view for Park Chung-hee is a standard for distinguishing between reformists and conservatives.  Park Geun-hye, despite her little success as a politician, won her presidency by the overwhelming support of the conservatives due largely to her father’s prestige. In addition to this, in the slowdown of the Korean economy these several years, people felt a longing for the time of Park Chung-hee when the Korean economy made a great quantitative progress. Such feelings might have affected Park Geun-hye, who claimed the rebuilding of Korean economy during her presidency. On the contrary, during the time of Park Geun-hye, people had a difficult time.Especially, the so-called “Sampo Generation” (three generations of giving-up courtship, marriage and children) became miserable in their life. University students could not indulge in courtship as they had to study for finding jobs. And, even after getting jobs, they could not get married, which cost much and their salaries are not enough for this purpose.  Even if they get married, the couple have to work together for a living (double harness) and have to give up having children because child rearing and education cost much. The words “Sampo generation” appeared around the year 2011, the time of President Lee Myung-bak. The situation of the young, which this new words represent, was getting worse. The minimum wage by the hour in 2017 is Won 6,470 (about Yen 650).  The average lunch price is about Won 6,500. This means that the young worker barely ekes out lunch by working for one hour at convenience stores, etc.. Not only the young but also the most people were disappointed with the government of Park Geun-hye, which showed incapability to guard the lives of the Korean people, as in the case of the “Sinking of MV Sewol” or the outbreak of MERS (Middle East Respiratory Syndrome) in addition to the seriousness of difficulties of living. And, the political scandal of “the Choi Soon-sil–Gate” proved to be the trigger of the impeachment of the president. The Korean people who endured their hardships (not only the people who have never supported Park Geun-hye before, but also those who regret having supported Park) voted this time for Moon Jae-in, who appealed for “burying the past abuse”. Moon’s victory this time signifies a lot.  It is not a simple regime change.It is more a voice of reform against dictatorial presidency which became clear by the impeachment of the former president Park Geun-hye; against the prosecution who pander to the authority; and against collusion between the government and the big businesses. It is also a voice for easing the present economic inequality and consideration for the weak.  SGRA Kawaraban 535 in Japanese (original) Kim Yullee (2015 Raccoon) /Ewha Womans University (Korea), Finished Ph. D program without a Ph. D degree, Graduate School of Humanities and Sociology, The University of Tokyo in 2015  Translated by Kazuo KawamuraEnglish checked by Mac Maquito

SGRA Sustainable Shared Growth Seminar No. 23 "Integrated Water Systems for Economically-Challenged Communities" May 7, 2017 AMECOS Innovations, Inc. (Caloocan City, Metro Manila, Philippines)  Seminar ReportPresentation 1 SlidesPresentation 2 SlidesPresentation 3 Slides Presentation 4 Slides

The Nobel Prize-winning Japanese writer Yasunari Kawabata began his novel Snow Country with the the famous sentence “The train came out of the long tunnel into the snow country.” The word “Snow Country“ (yukiguni) is located in Niigata Prefecture, facing the Sea of Japan. Kawabata wrote poetically about a part of Japan that is covered by snow every winter.  But for me, rather than being a “Snow Country,” Japan is a “Flower Country.” Japanese people often try to enlighten me by saying that “there are four seasons in Japan.” Needless to say, there are four seasons in countries everywhere in the northern hemisphere like Germany and the United States. That being said, the four seasons in Japan are special and somewhat strange. Flowers bloom everywhere in the world, of course. But in flower-country Japan flowers play a surprisingly important role. Flowers bloom in every season, like plum trees in winter, cherry blossoms in spring, balloon flowers in autumn and chrysanthemums in winter. People can salvage the beauty of nature all year round.  In Japan, the change of seasons or differences in temperature are not as clear-cut compared to Germany, where I was born, and the United States, where I studied. In Canada, where I have spent my high school days, I cherished the change of seasons. In Canada, you could feel the difference between seasons very clearly.  When winter ends and the snow melts, people leave their houses and rub their eyes like bears coming out of hibernation. It is the time they shout with joy “how nice and warm!” But Japan triggers a similar feeling although the difference in seasons is less distinct. Every Vernal Equinox Day during the four years that I have lived in Japan, I was filled with this incredible and irrepressible joy. I wondered to myself “why?”. I found the answer in the beginning of this year: It is “flowers.” I found my joyfulness in flowers, not in temperature or in sunshine. This revelation was my most important discovering this year. I realized that seeing the flowers blossom around myself made me incredibly happy. In the flower country, Japan, flowers start blossoming shortly after it becomes warm. Flower buds are waiting on withered branches to blossom in spring and they start greeting us during the first days of warm sunshine. In Japan, flowers are cerebrated more than fresh leaves which are synonym for the arrival of the warm season in other countries. The color of the Japanese spring is pink, not green. Plum flowers blossom right in between winter and spring; their flowers are mysterious and have a unique beauty. Plum flowers blossom on knotty branches, which seem to be hundreds of years old.  When thinking of plum flowers, I remember the Kitano Tenmangu Shrine in Kyoto, which I visited while studying in Japan for the first time. More than the flowers itself, however, I recall their fragrance. When I visited the shrine in February 2007, I was unexpectedly engulfed by the sweet and gentle scent of the plum blossoms, giving me the feeling that I was reborn in paradise. The wind carried the fragrance of the plum blossoms to my nose.I recalled also a Waka (Japanese poetry – 31 syllable (letter) Japanese poem) by the poet Fujiwara no Teika (1162–1241). Among his poems, we find a verse saying “umeno-hana kozuewo – naete, hukukazeni, sorasae-niou, haruno- akebono”. (meaning: the plum blossoms, in the wind which is blowing to wither treetops, is fragrant in the air of daybreak on a spring morning)At this instant, Japan changed, in my feeling, to plum-blossom-country. When I was waiting for the train sometime this February, the wind once again carried the plum blossom fragrance to my nose. Although I could not spot a plum tree nearby, the wind had brought me a present.       Generally speaking, people think spring in Japan arrives together with the cherry blossoms. But, for me plum blossoms, which connect spring with winter embody spring. Cherry blossoms which have come to represent Japan are different from plum blossoms. Plum blossoms herald spring, but cherry blossoms, which fall like a snowstorm, reiterate the winter of Kawabata’s snow country and translate it into spring.  It is strange, for me, that Japanese people change their feeling of seasons by snowfall of cherry blossom from winter to spring. Another strange thing in Japan is the timing of the seasons. Spring arrives every year around the same time and the forecast of the cherry blossoms is usually very accurate. Plum blossoms, on the other hand, give us their beauty silently and without much commotion. I believe that plum blossoms represent Japan. However, as cherry blossom supersede everything in Japan, the value of each seasons may be overshadowed.  In Japan, the word “flower” (hana) is synonymous with “cherry blossoms” since the Heian period (794–1185). But, I think the most appealing aspect of Japan, “the flower country,” is the abundance of flowers that blossom in each and every season. Due to global warming, the climate of Japan is also changing, But what will not change are the flowers in the minds of the Japanese. SGRA Kawaraban 526 in Japanese (Original) Frank Feltens / Anne van Biema Fellow in Japanese Art, Freer|Sackler Galleries, Smithsonian Institution (Washington, D.C.) Translated by Kazuo Kawamura

SGRA Sustainable Shared Growth Seminar No. 22"Decentralization and Sustainable Shared Growth: Federalism, Local Governance, and the Agricultural Sector in the Philippines"Feb. 13, 2017College of Public Affairs and Development, University of the Philippines, Los Banos (UPLB)Seminar  ReportPresentation 1 SlidesPresentation 2 SlidesPresentation 3 Slides