|KEY WORD : art history / general terms|
|An 18c and 19c Edo 江戸 merchant class ideal implying sophisticated knowledge, discernment, and culture. Eventually the term was applied to someone who possessed *iki いき, but originally the two ideas were somewhat distinct. Where iki was an aesthetic ideal implying a chic sense of beauty, tsuu was more cerebral, connoting a "fashionable intellect." The possessor of tsuu, a tsuujin 通人 or daitsuu 大通, for example, not only knew his way around the pleasures quarters, but was someone who understood the essence of "floating world" ukiyo 浮世. The tsuujin was the antithesis of the yabo 野暮 or bumpkin who lacked both outer refinement and inner understanding, a man with neither culture nor discernment. One who had tsuu was adept at ugachi 穿ち, thewitty demonstration of a superior intellect, and share 洒落, the parodistic manipulation of language and image. The ideal of tsuu found expression in both literature and art. The concept of tsuu with its ramifications of wit and parody, exerted a great influence on *ukiyo-e 浮世絵 prints and paintings, particularly the often satiric inversions of old themes found in *mitate-e 見立絵. The prototypical tsuujin was the artist and writer Okumura Masanobu 奥村政信 (1761-1816) who may be said to have introduced the sophisticated intelligence of tsuu into ukiyo-e.|
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