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| mitate-e@Œ©—§ŠG | ||||||
| CATEGORY:@art history / paintings | ||||||
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| Parody pictures. Also nise ‹[, yatsushi —ªŠG, fuuryuu •——¬. Analogues of Japanese and Chinese classical paintings or literature, historical facts or legendary events which were used by *ukiyo-e •‚¢ŠG artists to illustrate contemporary events or figures, serving as a pictorial simile. Generally the prints are recognised as mitate by the use of the term "mitate" in the title, but some leave it to the viewer to decipher. Mitate-e require considerable understanding of the classics to recognize the original subject matter and for this reason were often used as intellectual games, providing those privy to such information with a sense of belonging to a special intellectual group. The most popular Japanese mitate were taken from GENJI MONOGATARI Œ¹Ž•¨Œê (The Tale of Genji), ISE MONOGATARI ˆÉ¨•¨Œê (The Tales of Ise) and the CHUUSHINGURA ’‰b‘ . Popular Chinese-based mitate include *Kanzan Jittoku ЦŽRE“¾, "Eight Views of the Hsio and Hsiang" *‚rhoushou ‚gakkei ànÔªŒi, "Seven Sages of the Bamboo Grove" *chikurin shichiken ’|—ÑŽµŒ«, and themes taken from the SUIKODEN …Ÿõ“` and SANGOKUSHI ŽO‘Žu. An example of a mitate-e is Mitate Kikujidou Œ©—§‹eŽœ“¶ by Suzuki Harunobu —é–ØtM(1724-70), one of the most elegant artists to produce mitate-e prints *Kikujidou ‹eŽœ“¶@was a page to the Chinese Emperor Mu of the Zhou dynasty. He attained long life by virtue of his religion; another version has it that he drank the dew drops from the leaves and thereby obtained eternal youth. In Harunobu's print Kikujidou is represented by a young girl admiring chrysanthemum flowers by the banks of a stream. In itself, the print is attractive, but its creativity is enhanced if the background of the original Kikujidou tale is understood. | ||||||
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. Œfڂ̃eƒLƒXƒgEŽÊ^EƒCƒ‰ƒXƒg‚È‚ÇA‘S‚ẴRƒ“ƒeƒ“ƒc‚Ì–³’f•¡»E“]Ú‚ð‹Ö‚¶‚Ü‚·B |
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