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sougenga@‘vŒģ‰æ
KEY WORD :@art history / paintings
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Chinese painting of the Song (Jp: Sou ‘v) and Yuan (Jp: Gen Œģ) dynasties, particularly as collected in Japan. The majority of Japanese sougenga were brought to Japan by Zen monks who had studied in China, although some paintings were gifts from Chinese officials and others were imported by merchants. In Japan, the Chinese paintings were sometimes given new contexts that necessitated altering their format or size. For instance, hand scrolls were severely cropped and mounted as hanging scrolls to fit the *tokonoma °‚ĖŠÔ of tea rooms. Japanese collectors appreciated a wide variety of painting subjects, including landscape, bird-and-flower, and Taoist and Zen figures (see *doushakuga “đŽß‰æ). This last category, much distained by later Chinese critics, survives almost exclusively in Japan, where Muqi (Jp: Mokkei –qæŪ; late 13c), Liang Kai (Jp: Ryou Kai —Āžē; act. early 13c) and other painters are revered. Catalogues of shogunal and temple collections reveal the tremendous value accorded Song and Yuan paintings as symbols of Chinese culture and, later, as symbols for the conservative Tokugawa “ŋė shoguns and daimyou ‘å–ž of their heirship to the prestige of the Ashikaga ‘Ŧ—˜. Many of the paintings now preserved in Japan were produced in the coastal province of Zhekiang (Jp: Sekkou Ÿī]), the center of Chinese trade with Japan and the location of several large Zen temples, and especially at the port city of Ningpo (Jp:Neiha ”J”g) whose artists produced both religious and secular painting, mainly in the Southern Song court style *intaiga ‰@‘Ė‰æ. Song and Yuan paintings influenced Japanese Buddhist painting and monochrome painting of secular and Zen themes. Sougenga introduced new modes of painting to Japan (such as *haboku ”j–n and *mouryouga éąéē‰æ) as well as new subjects (such as *Shoushou Hakkei ānÃ”ŠŒi). The wide influence of sougenga is thus seen in much of Muromachi painting, and many aspects of art after the early 16c also bear the imprint of what was known as "early" Chinese painting.
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