@
kirihaku@Ψ”“
KEY WORD :@art history / paintings
@
Lit. cut-foil. A method of ornamentation using gold and/or silver leaf cut *haku ”“ into different shaped pieces and applied to various surfaces with rice paste or lacquer. The term also applies to cut foil itself. The kirihaku technique was developed in the 10-11c and was most commonly used to decorate writing papers, sutras, illustrated handscrolls *emaki ŠGŠͺ and screens. Different names are given to the various sizes and shapes of kirihaku in accordance with their resemblance to natural objects: large pieces are called ishi Ξ (stones); fine, long, narrow pieces *noge –μ–Ρ for their resemblance to the tips or beards of pampas grass; smaller square pieces arare θΕ (hailstones) or sanshou ŽRž£ (black pepper); and the finest ones *sunago »Žq for their similarity to grains of sand. Those lacking a specific form are called momihaku †‚έ”“ because they appear rubbed rather than cut. Kirihaku is similar to *kirikane Ψ‹ΰ, but kirihaku is sprinkled over a surface, not deliberately pasted, thus the resultant pattern is irregular and spontaneous.
@
@

@
REFERENCES:
@
EXTERNAL LINKS: 
@@
NOTES
@

(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission.
ŒfΪ‚ΜƒeƒLƒXƒgEŽΚ^EƒCƒ‰ƒXƒg‚ȂǁA‘S‚Δ‚ΜƒRƒ“ƒeƒ“ƒc‚Μ–³’f•‘»E“]Ϊ‚π‹Φ‚Ά‚ά‚·B
@