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inbutsu@ˆσ•§
KEY WORD :@art history / sculptures
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A type of Buddhist print design made with a stamp. A seal, usually about 10cm or smaller, is engraved with the image of a Buddhist deity, pagoda, or the name of a Buddha, and is pressed onto paper or cloth using ink or cinnabar. The same image is printed many times to cover the entire surface of the object to be decorated, and daily stamping of inbutsu is considered an act of religious piety. The completed prints are placed inside a Buddhist statue (see *zounai nounyuuhin ‘œ“ΰ”[“ό•i). Inbutsu originated in India and were brought to Japan, via China, in the 9c. Clay and metal printing seals are reported to have been used in India and China; in Japan wood was most common. Originally the term inbutsu was not distinguished from *suribotoke  •§. Later, suribotoke came to refer to larger, more elaborate single images, made by pressing the paper over the printing block; and inbutsu to small, multiple, pressed designs, usually in simple dark lines, youkoku —z. The oldest known inbutsu made in Japan are: the 100 images of *Amida ˆ’–ν‘Ι inside the central Amida Nyoraizou ˆ’–ν‘Ι”@—ˆ‘œ in Joururiji ς—Ϊ—žŽ› (1105), Kyoto; prints of *Bishamonten ”ωΉ–ε“V (dedicated in 1162), inside the Bishamontenzou ”ωΉ–ε“V‘œ in the Kawabata μ’[ collection, Nara. This inbutsu is said to consist of 1000 images of Bishamonten; 10 figures on each of 100 pages.
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission.
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