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| hakkei@Ši | ||||||
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| KEY WORD :@art history / paintings | ||||||
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| Lit. 
      eight views. Eight scenic spots from one geographic area specifically chosen 
      to be treated in verse or pictures. The idea of designating a certain number 
      of famous views is Chinese in origin, with the ten views of the West Lake 
      (Jp: *Seiko žÎ) likely 
      the earliest example. The most influential grouping of eight scenes are 
      the eight Views of the Xiao and Xiang Rivers (Jp: *Shoushou 
      Hakkei ānÊi) depicted first by Chinese painters (since 11c) and 
      then in numerous Japanese versions. The first Japanese variation is the 
      depiction of eight views of Oumi *Oumi 
      Hakkei ß]Ši developed in the early 17c. In the Edo period, with 
      increasing travel and tourism, many local gentry revived earlier literary 
      references or designated their own hakkei. Among the best known are 
      the eight views of Matsushima ž, Fushimi Đ, Saga ĩã, Akashi ūÎ, and, most famous, the eight views of Kanazawa  *Kanazawa 
      Hakkei āōŠi. Eight views became a common theme in *ukiyo-e 
      ĒG painting and prints, with Edo and the *Yoshiwara 
      gī pleasure quarter thereof illustrated with their own hakkei . The 
      eight views theme was parodied in the eight Views of a Pleasure-House *Zashiki Hakkei 
      Ā~Ši, in which domestic objects cleverly replace natural scenery. | ||||||
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| (C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fÚĖeLXgEĘ^ECXgČĮASÄĖRecĖģfĄŧE]ÚðÖķÜ·B | ||||||
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