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| gokoushii Amida 五劫思惟阿弥陀 | ||||||
| KEY WORD : art history / iconography | ||||||
|  Also 
      read gokoushiyui Amida. Lit. *Amida 
      阿弥陀 Meditating for Five Kalpas, a kalpa (sometimes aeon) representing 
      an extremely long period of time. To represent the passage of this time 
      Amida is represented with unexpectedly large amounts of hair. Many years 
      before Amida resided in his gokuraku 極楽 paradise, in his former incarnation 
      as the monk Houzou 法蔵 he contemplated for five kalpas and made vows to save 
      mankind. Because he did not touch his hair during this long period of contemplation, 
      his spiral hair *rahotsu 
      螺髪 grew long on the top and sides of his head. Two mudras common to this 
      seated image are *mida-no-jouin 
      弥陀定印 and *gasshou 合掌. These 
      images are said to have been a new type of Song dynasty Chinese image imported 
      into Japan by Chougen 重源 (1121-1206). A well-known Kamakura period example 
      is preserved in Gokouin 五劫院, Toudaiji 東大寺, Nara.  | 
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(C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission. 掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。  | 
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