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toshoku@“hF
KEY WORD :@architecture / decorations
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The colours of paint found on Japanese style *wayou ˜a—l temples. Wooden members were often painted red with *tan ’O, and the cut ends were often painted white *gofun ŒΣ•², or ocher *oudo ‰©“y. Lattice windows and stockades were painted green *rokushou —ΐΒ. However, Zen style *zenshuuyou ‘T@—l building had unpainted wood surfaces, and this influenced temple architecture in general from the Kamakura period (13c) on ward. Some exceptions included the use of black lacquer kurourushi •Ž½, on buildings, and gold leaf kinpaku ‹ΰ”“ on Rokuonji Ž­‰‘Ž› (Kinkakuji ‹ΰŠtŽ›, 1398) in Kyoto. In shrine architecture, uncoloured timbers were traditionally used in the ancient shinmei style *shinmei-zukuri _–Ύ‘’, but after the introduction of Buddhism in the 5-6c, colours were applied to shrines, an influence of Buddhist temple architecture. The most lavish example of toshoku is Nikkou Toushouguu “ϊŒυ“ŒΖ‹{ (early 17c) in Tochigi prefecture, reflecting the popularity of very bright decorative colouring, gokusaishiki ‹ΙΚF in the Momoyama period.
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Nikkou Toushouguu Kamishinko “ϊŒυ“ŒΖ‹{γ_ŒΙ (Tochigi)

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NOTES
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