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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission.
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| KEY WORD :@art history / paintings | ||||||
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| Ch: Sanjiao. A painting subject of the three patriarchs, Confucious (Jp:*Koushi Eq), Laozi (Jp:Roushi Vq), and Shakyamuni (Jp:*Shaka ίή), of China's three great religions, Confucianism (Jp: Jukyou ς³), Taoism (Jp: Doukyou Ή³), and Buddhism (Jp: Bukkyou §³) respectively. The Neo-Confucian doctrine of the Southern Song scholar Zhu Xi ιΰ (1130-1200) stressed the unity of the three creeds Sankyou which had previously been thought of as contradictory. The pictorial theme of the Three Patriarchs, along with related themes such as the *sansan-zu O_} and *Kokei sanhou ΥkOΞ, typically offer a light-hearted version of the ecumenical Neo-Confucian doctrine. The subject was rendered frequently in Chinese figure painting of the Southern Song and Yuan periods. Among Japanese paintings of the Muromachi period, Josetsu's @Ω work, Ryousokuin Ό«@ in Kyoto, is particularly well known. | ||||||
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B |
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