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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission.
fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B
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| joudo sanmandara@ςyOΦδΆ | ||||||
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| CATEGORY:@architecture / iconography | ||||||
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Lit. three Pure Land Mandalas. Traditionally refers to the three most famous types
of *joudo hensou ςyΟ (depictions
of the Pure Land) which are *Chikou
mandara qυΦδΆ
, *Taima
mandara ΦδΆ
, and *Seikai
mandara ΄CΦδΆ
(also read Shoukai mandara). The Chikou mandala is traditionally
said to have been first painted after a vision by the Gangouji ³» monk Chikou
qυ (709-ca.790); a copy is found in the *KAKUZENSHOU
oTηβ, a collection of iconographical drawings by the Shingon monk Kakuzen oT (1143-1212).
The Taima mandala refers to a tapestry belonging to Taimadera , Nara,
which is thought to have been imported from China and is said to have been dated
by inscription to 763. The Seikai mandara, painted in gold and silver on
indigo-dyed silk, is said to represent a vision of the monk Seikai ΄C and
has been dated to 996. Both the Taima and Seikai mandaras are based
on the KANMURYOUJUKYOU Ο³Κυo, and may also termed *Kangyou
hensou ΟoΟ. |
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission. fΪΜeLXgEΚ^ECXgΘΗASΔΜRecΜ³f‘»E]ΪπΦΆά·B |
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