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Houraisan@ –H—‰ŽR
KEY WORD :@architecture / general terms
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Lit. Mt. Penglai. The legendary island-mountain of the immortals, frequently represented in Japanese gardens. Ancient Chinese Daoism held that three eastern sea islands--Penglai –H—‰ (Jp; Hourai), Fangchang •ûä (Jp; Houjou), and Yingzhou àiB (Jp; Eishuu)-- were inhabited by immortals who possessed rare treasures as well as the elixir of immortality. Where earlier emperors sent expeditions in search of the three spirit mountains, Emperor Wu • (?56-87 BCE) of the Han dynasty had three islands with pavilions build in a pond within his massive garden. The idea of recreating the aupicious Mt. Penglai by building an artificial pond island within a garden was probably adopted in Japanese gardens of the Heian period although no examples remain. Mt. Penglai was associated with cranes, who supposedly lived there, and a tortoise, on the back of which the island was carried. Because the 11c garden treatise *SAKUTEIKI ì’ë‹L mentions crane islands *tsurujima ’ß“‡, and tortoise islands *kamejima ‹T“‡, in pond gardens, this may well indicate an elaboration on the Mt. Penglai island design. Because the evergreen pine is a symbol of longevity, garden recreations of Penglai often include pines. Penglai appears frequently in Japanese gardens beginning in the Kamakura period, usually represented by a pyramidal stone *houraiseki –H—‰Î, by a group of stones hourai iwagumi –H—‰Î‘g, or an island *hourai gantou –H—‰Šâ“‡. These elements appear both in pond style@chisenshiki ’ròŽ® and dry landscape *karesansui ŒÍŽR… gardens. A related motif is the *houraibune –H—‰M, a treasure boat that travels to and from the island. Gardens in which Penglai is the thematic focus are called *hourai teien –H—‰’뉀, while gardens in which Penglai is a motif are *hourai youshiki –H—‰—lŽ®).
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