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(C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission.
掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。
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| hokushuuga 北宗画 | ||||||
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| CATEGORY: art history / paintings | ||||||
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| Ch:
beizonghua. The northern school of Chinese painting as opposed to the Southern
school of painting *nanshuuga
南宗画. A division advocated by Ming critic Dong Qichang 董其昌 (Jp:Tou Kishou, 1555-1636)
in order to discriminate professional painters from literati artists. The academy
style painting *intaiga
院体画 associated with the Southern Song painters Ma Yuan 馬遠 (Jp:Ba En, late 12c-early
13c) and Xia Guei 夏珪 (Ka Kei, act.1194-1224), which was revived in the Ming dynasty
by painters of the Zhe school Seppa 浙派 . The vigorous brushwork typically seen
in the ax-cut strokes *fuhekishun
斧劈皴 and the diagonal or "one corner" composition *henkaku
no kei 辺角の景 are characteristics of the Northern school style. Hokushuuga
had a direct influence on the developement of Japanese ink painting *suibokuga
水墨画 during the Muromachi and Momoyama periods. |
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| *kanga 漢画, *sansuiga 山水画, | ||||||
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(C)2001 Japanese Architecture and Art Net Users System. No reproduction or republication without written permission. 掲載のテキスト・写真・イラストなど、全てのコンテンツの無断複製・転載を禁じます。 |
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