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Handaza@“f“cΐ
KEY WORD :@art history / paintings
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One of the painting guilds or studios za ΐ in the atelier *nanto-edokoro “μ“sŠGŠ in Nara, which flourished between the Kamakura and Muromachi periods. It was founded by Yuuson —L‘Έ, a follower of the Kose no Kanaoka ‹¨‹ΰ‰ͺ (act. late 9c-early 10c) school *Koseha ‹¨”h of painting, who left Kyoto for Nara in the early Kamakura period. He attached himself to the painting ateliers of Ichijouin ˆκζ‰@ and Daijouin ‘εζ‰@ at Koufukuji ‹»•ŸŽ›. Later his eldest son Gyouson ‹Δ‘Έ became the head of Ichijouin Handaza and his second son head of Daijouin Handaza. Gyouson was a skilled artist who produced the 1254 Shoukou mandara Ήc™ΦδΆ—… at Houryuuji –@—²Ž› and his son Gyougon ‹Δ™V, who produced the Yakushiji ita-e shinzou –ςŽtŽ›”ΒŠG_‘œ in 1295, also displayed outstanding ability. Gradually, however, the Ichijoin Handaza was surpassed by the *Shibaza ŽΕΐ and the *Shounamiza Ό“μ‰@ΐ studios, and from the middle of the Muromachi period took on the name Handasukeza “f“c•ΐ. The Daijouin Handaza was active throughout the Kamakura and Muromachi periods. In 1288, Gyouyuu's ‹Δ—L son, Yuugen —LŒ΅ worked as a painter for Hasedera ’·’JŽ›. Nehan-zu ŸΈžΟ} (Nezu ͺ’Γ Museum, Tokyo), dated 1345, was painted jointly by Yuugen and his son Senyuu κ—L.
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NOTES
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(C)2001 Japanese Architecture and Art Net Users System.@No reproduction or republication without written permission.
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